Brian Baker
- Comment
I have these two pro-photo printers from Canon and Im going to take advantage of this opportunity to not only review them as to their capabilities, but to compare them to each other as to advantages and disadvantages. One (the Pro-10) uses a pigment-based ink system; the other (the Pro-100) uses a dye-based ink system. There are pros and cons to each of those types of inks, and the performance you can expect from the respective printers. For background, I originally entered the realm of pro photo printers about a decade or so ago with the Canon Pro-9000, which used dye-based inks. This was in the era before Canon developed their ChromaLife dye inks, and those early inks werent rated highly for longevity, an issue of great import to most who print pro-level (or prosumer) photos, and an issue of which I wasnt yet informed because I was a newbie to digital photography. It was an excellent printer as to print quality, but when Canon came out with the first line of ChromaLife inks, I educated myself on the subject, and since the Pro-9000 wasnt able to accept the new inks, I decided to switch to an HP 8750, which used Vivera inks which are highly rated for longevity. The HP 8750 has served me very well for the intervening years, but they stopped supporting driver and software upgrades with Windows XP, so when I transitioned to Win 7 several functions of that printer were no longer available. A very strange - and alienating - decision on the part of HP, which prompted me to finally switch to the new Canon printers. As far as set-up, these two Canon printers are nearly identical. The set-up is easy and intuitive, but time-consuming as these are complex pieces of equipment with sophisticated software. You can install from either the included discs, or on-line at Canons website. As I mentioned, the Pro-10 is a pigment ink system and uses 10 inks, including several different photo grays and an Optimizer. The Pro-100 uses an 8-ink dye-based system. My understanding is that the Pro-100 approaches blacks using a different print strategy from the Pro-10. It does have 3 photo black cartridges, but also uses other colors to create grays. Well come back to this later. Both units can print directly from your handheld devices (smart phones, tablets, etc.) via Bluetooth connectivity, a terrific and innovative convenience, as well as from your other devices which are part of your wireless LAN. An almost universal problem in digital photo printing is the phenomenon of the finished prints looking different from what the user sees on his monitor screen; the finished prints are typically darker. Trying to get matching prints and screen image usually entails extensive monitor calibration, which in my experience means Im looking at what I consider to be a pretty dark monitor image. Canon addresses this issue with an included program called Optimum Image Generating System (OIG). This program works in conjunction with later versions of Photoshop and Lightroom. My Photoshop is an older non-supported version, so I used in it Lightroom, and found it to be surprisingly effective in addressing the issue; the prints came out much closer to what I was seeing on the screen - without a lot of tweaking - than Ive been used to up to this point. We have to bear in mind that some prints are going to be trickier than others, and the OIG may give mixed results - YMMV - but this system is a HUGE step forward in home printing technology. Kudos to Canon for that alone! The Pro-10 and Pro-100 have very different price points, and for that to be so there must be some significant differences between them, so lets take a look at those. Of course, those differences all revolve around the different ink technologies: pigment (Pro-10) versus dye (Pro-100). Lets start with ink cost. The Pro-10 uses 10 ink cartridges, and a full set of inks here on Amazon runs roughly $150. The Pro-100 uses 8 cartridges for a total cost of about $125. Not much difference in price for the ink; your price per print will probably be roughly equivalent. According to Canons documentation the Pro-100 uses smaller ink nozzles, probably possible due to the differences in the physical properties of the different inks. Youd think that this would lead to a higher level of fine detail by the Pro-100, but in a side-by-side comparison of prints of the same picture from each printer I couldnt discern any difference between the two. Print speed: Both units will create true borderless prints up to 13" X 19"; the Pro-100 will do it in less than half the time the Pro-10 takes, under 2 minutes versus about 5 minutes. To me this is a non-issue, but there it is, FYI. Color prints: Both printers produce color prints that are absolutely beautiful. Color transitions are subtle and utilize the full gamut of shadings. To me, the prints from the dye-based Pro-100 seem to "pop" just a bit more, probably again due to the physical property differences between dyes and pigments. But both produce true gallery-quality prints that anyone would be proud to display. B&W prints: This is one of the bigger differences between the two. The B&W prints from the Pro-100 are also beautiful, but when held to a side-by-side comparison with B&Ws from the Pro-10, the pigment systems superiority in the blacks becomes apparent: Deeper, richer and cleaner. Again bear in mind: these are differences noted in that side-by-side comparison. As a stand-alone, the B&Ws from the Pro-100 are still perfectly acceptable, though there is a slight "tinge" noticeable when light reflects off the print from an angle, probably due to that grays "strategy" I mentioned earlier. Print longevity: Probably the biggest difference between the two. Both inks will yield 100+ years longevity when stored in an album in the dark. Who cares about that? Lets face it; its display life - on the wall, under glass - that really counts in this department, and thats where the pigment inks enjoy a clear edge. Wilhelm Image Research is the industry standard for image longevity. Theyve conducted tests on the Lucia pigment ink system that yield results showing that display life for the pigment inks exceeds 75 years. Wilhelm hasnt yet published findings on the ChromaLife100+ dye system, but on their website Canon published their own testing research indicating a display life of approximately 30 years. Theres absolutely no question about it; when it comes to print longevity, the pigment-based Pro-10 wins running away. If thats an important issue to you, as it is to me, youll definitely want to factor it into your buying decision. In summary, both of these fine machines are at the top of their class of the pro printers currently on the market; 5+ stars to both. A slight edge to the Pro-100 for color vibrancy; a slight edge to the Pro-10 for B&W performance. The biggest difference is in print longevity which may or may not be important to each individual buyer. Kudos to Canon for two exceedingly fine offerings.