PANASONIC LUMIX FZ1000 4K Point and Shoot Camera, 16X LEICA DC Vario-ELMARIT F2.8-4.0 Lens, 21.1 Megapixels, 1 Inch High Sensitivity Sensor, DMC-FZ1000 (USA BLACK)
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$59700

PANASONIC LUMIX FZ1000 4K Point and Shoot Camera, 16X LEICA DC Vario-ELMARIT F2.8-4.0 Lens, 21.1 Megapixels, 1 Inch High Sensitivity Sensor, DMC-FZ1000 (USA BLACK)

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Adorama
Bronze
Serving customers for more than 35 years, Adorama has grown from its flagship NYC stor...

City: US, Pasadena

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Pickup at your own expense
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Free
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Warranty and returns
Exchange/return of products of proper quality within 14 days Official manufacturer's warranty: 12 months
Features
Item Dimensions
5.39 x 5.16 x 3.9 in
Item Weight
1.83 lbs
Optical Zoom
16x
Resolution
20.1 megapixels
Description
This fits your .
Make sure this fits by entering your model number. 4K VIDEO & 4K PHOTO - Panasonic’s exclusive 4K PHOTO technology uses 30 frames per second in high resolution 4K Ultra HD video to extract them as photos. You’ll never miss that moment again LEICA DC VARIO-ELMARIT lens - 24x zoom (25-600mm) with full zoom range F2. 8 aperture for enhanced low light shooting meeting the stringent quality standards established by Leica HIGH IMAGE QUALITY - The 12. 1-Megapixel high sensitivity MOS sensor with the Venus engine excels in diffraction compensation, yielding images that are crisp & free from artifacts associated with small aperture settings RUGGED CAMERA DESIGN - splash proof/dustproof rugged camera design with tight seals on every joint, dial and button, so it stands up to harsh weather conditions and challenging environments 5-AXIS HYBRID OPTICAL IMAGE STABILIZER PLUS - Reduces Blur from one-handed video shooting by compensating for five types of movement. Level shot function detects horizon line & maintains it, even if the camera is tilted
Reviews
4.1
Reviews: 20
5 stars
65%
4 stars
10%
3 stars
5%
2 stars
5%
1 star
15%
Donna Brown
4
This camera is off the chain AWESOME!!! If this model had the larger touch screen of the FZ300, its constant f/2.8 aperture, and the weather sealing, Id have given it 6 stars, not 5. For a difference of only $100, I cant for the life of me understand why they dont combine these extra features of the 300 with the larger image sensor of the 1000 for the PERFECT bridge. I thought I would love the constant f/2.8 aperture throughout the entire focal range (25-600mm) of the 300, assuming it would render nicer bokeh and would be better in low lighting. Turns out the bokeh rendered by the 1000 at f/4 was as nice…in some instances NICER, than what the 300’s f/2.8 rendered. Even in instances where bokeh was similar, shading in the blurred areas was blown out on the 300’s shots, but not the 1000’s. And that constant f/2.8 low light advantage? No. Not compared to the much more light sensitive sensor of the 1000. Even with the larger constant aperture, the 300 struggled in low light, forcing a much higher ISO, and the noise that accompanied these ISO speeds was horrendous. The 1000 handled the same lighting conditions with much lower ISOs and NO noise! I thought I’d prefer the 300’s 25-600mm focal length over the 1000’s 25-400. In comparison shots, turns out the difference between 400mm and 600mm is not really all that much. BUT, the 1000 has an extra setting (iZoom) that can be used when shooting in jpg format that extends the 400mm zoom to an 800mm, and the 800mm rendering is virtually equal in quality to the 300’s 600mm rendering. I did not experiment with the digital zooms on either camera…I have a dreadful aversion to digital zooms…they are normally quite hideous. How much difference does the much larger sensor on the 1000 really make with regard to overall image quality and detail? HUGE. MUCH greater than I actually expected. Hands down NO COMPARISON straight out of camera. When shooting RAW, it was possible to pull out similar details in the 300’s files by adjusting exposure, white balance and highlights (details that seemed to be altogether missing when viewed straight out of camera) during processing, but who really needs more steps from downloading shots to final product? If you’re in the market for a bridge camera that can offer the convenience of a huge focal length without the cumbersome inconvenience of multiple bodies and heavy lenses, plus image quality comparable to many DSLRs, this FZ1000 LUMIX has no competitors in this price range. Both the 300 and the 1000 are HIGHLY customizable. I set both up to many of the same custom settings as my full frame DSLR systems. If you’ve read this far through this review, you’re no doubt serious...just go ahead and buy this thing…you won’t be sorry!
Darren Levine
4
This is an early impression, ive been using the camera for a few weeks now. I bought it especially for a trip to go see NASAs launch of the Orion. I currently own a Sony RX10, which i love, but im feeling the 4k bug, and am always interested in more zoom reach. So, thus far these are my thoughts, which may change as i figure more things out with the camera: -Size is nice, very chunky and feels good in the hand, but NOT pocketable(duh) -Construction feels nice, despite being pretty plasticy, the zoom extension feels more solid than the RX10 -4K video looks very nice and detailed, you have most of the same controls as the GH4 -Photos look nice, not incredible, but nice, and im still working out some kinks... -Built in timelapse, LOVE having this. -The EVF is big and detailed, though you need to look at it at just the right angle -The LCD is pretty good, certainly suitable for this level of camera, and it swivels in all directions -The video codec holds up well at 100mbit for 4K -37mm isnt wide, but usable in 4K, 400mm+crop+intellizoom gets a great amount of reach! Plenty more to come, im still on the fence whether i want to keep this or wait for the RX10 successor. Despite the RX10s lesser specs, its been a fantastic camera, and im very curious about the eventual mark 2. At the moment though, if you were looking to get one of these cameras, i would absolutely get an FZ1000, it just has more features which i make use of. The photo was a long exposure of very early morning at nasa
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